CENTROHD - Huge Dictionaries
Frasi che contengono la parola forms
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A grammar of the Tibetan language literary and colloquial with copious illustrations, and treating fully of spelling, pronunciation and the construction of the verb, and including appendices of the various forms of the verb
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All matter is a relatively stable form of Energy. It lasts awhile and disappears into Energy. The universe is maintained awhile. This is Shakti as Vaishnavi, the Maintainer. At every moment creation, as rejuvenascent molecular activity, is going on as the Shakti Brahmani. At every moment there is molecular death and loosening of the forms, the work of Rudrani Shakti
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are not articulated as structures in the nature of things, neither as immanent nor as transcendent forms. In this situation the reader is free to assume either that the author of these dialogues has not yet decided on an ontological interpretation for his definienda, or that he has chosen to reserve this task for other dialogues, such as the
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In modern practice, proofs are made first from a galley, a long tray holding a column of type, and hence are called galley proofs; the term is sometimes also used for the first copy produced in photocomposition and other forms of typesetting that do not involve metal type.
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Liberal Judaism in the United Kingdom is one of the two forms of Progressive Judaism found in the United Kingdom, the other being Reform Judaism. Liberal Judaism, which developed at the beginning of the twentieth century is less conservative than UK Reform Judaism. Liberal Judaism considers itself the sister movement of North American Reform Judaism.
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(Multi-function Chinese Character Database: With Archaic Script Forms, Componential Trees, Etymologies, Shuowen Jiezi Full-text Search, ...; il nome, riportato in parte, spiega molto del suo contenuto)
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Hathor, ancient Egyptian goddess. Hathor is depicted in many forms, most commonly as a woman with cow-horns and sun disk. Isis could also be depicted in this form, and the two can only be surely distinguished by the inscription. In other forms, Hathor was depicted wearing the hieroglyph for 'west', or in a fully bovine form. Hathor is often shown holding the
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Amun, an ancient Egyptian god. Amun is usually shown as a striding man wearing a tall, plumed crown. Originally, Amun was depicted with red-brown skin but after the Amarna period he was painted with blue skin, symbolizing his association with air and primeval creation. Amun was also depicted in a wide variety of other forms.
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Ray-finned fish come in many forms. The figure shows general characteristics of the more common anatomical parts: A - dorsal fin: B - fin rays: C - lateral line: D - kidney: E - swim bladder: F - apparatus of Weber: G - inner ear: H - brain: I - nostrils: L - eye: M - gills: N - heart O - stomach: P - gall bladder: Q - spleen: R - internal sex organs (ovaries or testes): S - ventral fins: T - spine: U - anal fin: V - tail (caudal fin). Possible other parts not shown: barbels, adipose fin, external genitalia (gonopodium).
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A woman wearing kimono performs a tea ceremony. It is not clear which specific style of ceremony is being performed, but visible in the image are the kettle, the ro, and the tea bowl. The object at the far right of the image is a bamboo marker which marks the seating position of the host. Such markers take many forms; this one is somewhat unusual, but is of a type used for outdoor ceremonies.
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Horizontal and vertical writing in Japanese. Some characters take different presentation forms in horizontal and vertical writing modes. Also, a typical example of mixtures of horizontal and vertical formats that require large blank space :p
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to more grave offenses, such as eating people (though this is rare). Tengu enjoy posing as human beings to dupe lost mountain travelers. They tend to take friendly forms, such as wandering hermits. After gaining a victim's trust, the tengu may simply toy with him by, for example, flying him around on a saucer-like contraption or immersing him in a masterfully created illusion. Alternately, the tengu may
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The conclusion reached in this study is that the object was conceived in the shrewd milieu of the Italian antiquities market, likely at the end of the nineteenth century, to satisfy the demand of a particular foreign clientele. It was executed by a very skillful artisan familiar with the linear forms of the Italian Liberty style, but ill at ease with the iconographic and stylistic models presented to him: Attic red-figured vases and Arretine ceramics, authentic and falsified, by the workshop of Perennius. The voyeuristic meaning attributed by scholars to the principal scene is an erroneous interpretation of an Alexandrian love epigram in the decorative repertory of the same workshop
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While gender based violence has recently emerged as a salient topic in the international community, it has been framed principally with respect to violence against women and girls, particularly sexual violence. Emphasizing the issues most important to the humanitarian assistance community, I propose a broad definition that distinguishes sexual violence against men and women from other forms of gender based violence. Second, I argue that gender-based violence against men (including rape, forced conscription, forced refoulement, and sex-selective massacre) must be recognized and addressed by civilian protection agencies such as the ICRC and UNHCR. The imperative is two-fold. First, men deserve protection against these abuses in their own right. Second, the reduction of gender-based-violence against women and girls cannot occur without participation from men, nor can their particular vulnerabilities in conflict situations be separated from the forms of violence to which men are specifically vulnerable.
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Tutti i dati sono automaticamente, anche se accuratamente raccolti da fonti di pubblico accesso. Le frasi vengono selezionate automaticamente e non sono destinate ad esprimere le nostre opinioni. Il contenuto e le opinioni espresse sono esclusivamente a nome degli autori delle frasi.
Ultimo aggiornamento pagina:
05 Gennaio 2022
10:48:04